

Rebirth of Architecture/Space healing from 'solo music' to 'group music'
Lequnlou, as a silent witness to the historical changes of Yantai Mountain, was once a microcosm of a heavy history and a place for foreigners to socialize and enjoy themselves. After careful renovation and functional reconstruction, it has now transformed into the "Grand View Art Museum", dedicated to integrating history, art, and public aesthetics. The building itself has undergone a profound transformation from closed to open, from "solo music" to "group music". Its mottled brick walls, arch corridors, and old wooden floors have become unique containers for carrying collective memories and personal narratives.

Curator: Wu Jing

Lacquer painting artwork 'Frozen Initiation'/Wu Jing

Tidal ThawLacquer painting works / Wu Jing
Exhibition Core/Using art as a mirror, diving into the depths of emotions
The core theme of this exhibition is "seeing the environment", derived from the concept of "seeing is healing". The exhibition gathers 103 artworks from around the world, aiming to guide viewers to use art as a periscope, diving into the depths of emotions, and visualizing and objectifying those indescribable inner feelings. The curator emphasizes that here, art is not decoration, but rather a bridge for viewers to achieve self understanding and inner peace.

The interweaving of history and the present/Feeling emotional flow in memory carriers
The uniqueness of the exhibition lies in the deep dialogue between the works and the historical architectural space itself. Works that focus on healing, such as' Ice Burning 'and' Xirong ', have been deliberately placed in this building filled with traces of time. The serene narrative of historical space and the intuitive expression of contemporary emotional art are intertwined, creating a unique field where the audience can not only touch the pulse of history, but also see the flow and reality of their own emotions while strolling. Space doesn't speak, but it tells countless stories; The painting is silent, yet it reflects a variety of emotions.

Advocate for 'healing as a daily routine'/Everyone can become a 'life curator'
The exhibition adheres to the universal concept of "healing is not exclusive to experts" and advocates "healing is daily life". It encourages every audience member to embark on a journey of self reflection and expression through artistic observation and potential creation, thus becoming the "curator" of their own life. The function of art healing has thus moved beyond the traditional exhibition hall framework, attempting to integrate into every moment of daily life that one is willing to stop, feel, and express.

Topic:
IFIC International Art Healing Emotional Biennial Exhibition (Fuzhou Station)
Extension:
From December 2, 2025 to February 1, 2026
Location:
Grand View Art Museum (Yantai Mountain, Fuzhou) Fifth Exhibition Hall
Curator:
Wu Jing/Founding Member of Asia Art Healing Research Institute
Academic guidance:
UNIHEAL International Center for Sustainable Development in Healing, IFIC Art Healing Research Institute
Supporting units:
大观美术馆、唐潔工坊文物修复艺术研究院、福建省孔原书院

From the historical echoes of 'Yuequn' to the current introspection of 'Jian Jing', this ancient building has always been exploring deep connections with people. This exhibition is not only an art exhibition, but also a comprehensive experience about historical transformation, spatial narrative, and inner healing. It reminds us that healing in sight and rebirth in creation are possibilities accessible to everyone.
中文版
English
